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The Imax cinema in central London is the largest cylindrical wrap poster site in Europe and Odessa was commissioned by Ocean Outdoor to produce a poster for The Amazing Spider-Man 2 movie.

Push Print has won this hyper-demanding category where detail and quality are everything.

Augustus Martin was commissioned by Tag on behalf of Maybelline to develop a bespoke unit for the launch of the Big Eyes mascara and eye shadow ranges.

It was the personal touch that did it. Car dealer JCT600 asked Eclipse Red to produce a more personalised automated communication package.

“The book has Swiss-watch precision,” was the client’s verdict on the 2,500 copies of Giacometti Without End.

If Jordan Dudas was curious about printing, his bosses we no less fascinated by their new recruit when he turned up at AJS Labels late last summer.

Screaming Colour has done it again. Last year it won this category on its problem-solving prowess; this year it took the number-one spot for its flair on projects such as a catering proposal for Leeds...

Real Digital is making a habit of this. Last year it came top and the year before it was runner-up in this category, by balancing smart use of data and high-quality creativity.

Maybe it was the excellent lift and detail on all those uncoated text sections. Or perhaps that dense black on monochrome imagery worked its magic. Whatever, since moving to Park in 2013, It’s Nice...

The customer wanted its labels to resemble leather-bound books, but there is no disguising the talent that helped Label Apeel win this category for a second year running.

The response from Estée Lauder says it all: “You guys are awesome. In 30 years of working in packaging, Amberley is the most powerful and creative label supplier I have ever worked with.”

In February this year 1st Byte added an extra dimension to its services – literally.

Park Communications can’t stop winning because it won’t stop rolling out environmental initiatives.

Every one, insisted the judges, was a winner: “Really impressed; these submissions debunk the myth that quality is digital’s Achilles’ heel.”

Jamie Oliver’s Fifteen Cornwall is grabbing attention down in the West Country. The print company that recently added this signature restaurant to its roster of tasty blue-chip clients is grabbing...