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“The book has Swiss-watch precision,” was the client’s verdict on the 2,500 copies of Giacometti Without End.

If Jordan Dudas was curious about printing, his bosses we no less fascinated by their new recruit when he turned up at AJS Labels late last summer.

Screaming Colour has done it again. Last year it won this category on its problem-solving prowess; this year it took the number-one spot for its flair on projects such as a catering proposal for Leeds...

Real Digital is making a habit of this. Last year it came top and the year before it was runner-up in this category, by balancing smart use of data and high-quality creativity.

Maybe it was the excellent lift and detail on all those uncoated text sections. Or perhaps that dense black on monochrome imagery worked its magic. Whatever, since moving to Park in 2013, It’s Nice...

The customer wanted its labels to resemble leather-bound books, but there is no disguising the talent that helped Label Apeel win this category for a second year running.

The response from Estée Lauder says it all: “You guys are awesome. In 30 years of working in packaging, Amberley is the most powerful and creative label supplier I have ever worked with.”

In February this year 1st Byte added an extra dimension to its services – literally.

Typical FMCG fare may be short on shelf life and lower in value, but Sherwood Press ensured longevity of impact and lustrous looks in print to jump from being a finalist in 2013 to take the top spot...

Park Communications can’t stop winning because it won’t stop rolling out environmental initiatives.