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Perfect planning is required for upscale projects

Little did the team at Preston-based Lustalux know that when a call came in from architect consultancy C4 Projects in 2015, a simple query about window film would be scaled into a complex and multi-faceted project that would go on to positively impact the lives of thousands of children.

Q&A: Chris Kingston Director, Fingerprints Design and We Fly Drones

You might recognise Chris from his recent appearance in illusionist Derren Brown’s Pushed to the Edge TV show, where we’re happy to report he refused to push a man off a building to his death. Phew! Chris is approaching the big 3-0 and has been in the print game for about 10 years.

Makeover puts Monster in a starring role

Hollywood Monster had a lot to live up to including its name. The signage and graphics company recently underwent a monster makeover with a rebrand. “Rebranding – extensive or otherwise – is not always easy, in fact it is never easy,” recalls the man who led this one, managing director Simon McKenzie.

Q&A: Daniel Reed Designer, The Cafeteria Studio

Sheffield-based Daniel specialises in design and typography, and his enthusiasm for all things print-related is such that outside of his day job he works on other projects and has created four new typefaces including Incido, which is made up entirely of straight lines (see daniel-reed.co.uk).

Print enables inspiration to take flight

You can almost touch them. In fact you can almost feel just how satisfying it was to make them. Admiring this year’s Power of Print cover’s origami cranes, you’re instantly connected with the appeal of crafting something, of holding something unique, tangible and tactile in your hands.

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